“He stood,” said Holmes, “to the left of the door — that is to say, farther up the path than is necessary to reach the door?”

“Yes, he did.”

“And he is a man with a wooden leg?”

Something like fear sprang up in the young lady’s expressive black eyes. “Why, you are like a magician,” said she. “How do you know that?” She smiled, but there was no answering smile in Holmes’s thin, eager face.

“I should be very glad now to go upstairs,” said he. “I shall probably wish to go over the outside of the house again. Perhaps I had better take a look at the lower windows before I go up.”

He walked swiftly round from one to the other, pausing only at the large one which looked from the hall onto the stable lane. This he opened and made a very careful examination of the sill with his powerful magnifying lens. “Now we shall go upstairs,” said he at last.

The banker’s dressing-room was a plainly furnished little chamber, with a gray carpet, a large bureau, and a long mirror. Holmes went to the bureau first and looked hard at the lock.

“Which key was used to open it?” he asked.

“That which my son himself indicated — that of the cupboard of the lumber-room.”

“Have you it here?”

“That is it on on the dressing-table.”

Sherlock Holmes took it up and opened the bureau.

“It is a noiseless lock,” said he. “It is no wonder that it did not wake you. This case, I presume, contains the coronet. We must have a look at it.” He opened the case, and taking out the diadem he laid it upon the table. It was a magnificent specimen of the jeweller’s art, and the thirty-six stones were the finest that I have ever seen. At one side of the coronet was a cracked edge, where a corner holding three gems had been torn away.

“Now, Mr. Holder,” said Holmes, “here is the corner which corresponds to that which has been so unfortunately lost. Might I beg that you will break it off.”

The banker recoiled in horror. “I should not dream of trying,” said he.

“Then I will.” Holmes suddenly bent his strength upon it, but without result. “I feel it give a little,” said he; “but, though I am exceptionally strong in the fingers, it would take me all my time to break it. An ordinary man could not do it. Now, what do you think would happen if I did break it, Mr. Holder? There would be a noise like a pistol shot. Do you tell me that all this happened within a few yards of your bed and that you heard nothing of it?”

“I do not know what to think. It is all dark to me.”

“But perhaps it may grow lighter as we go. What do you think, Miss Holder?”

“I confess that I still share my uncle’s perplexity.”

“Your son had no shoes or slippers on when you saw him?”

“He had nothing on save only his trousers and shirt.”

“Did YOU leave the parlour door open?” she asked of Millicent, suspiciously.

“No,” said Millicent from the kitchen.

The doctor, with his soft, Oriental tread followed Mrs. Sisson into the parlour. Aaron saw his wife hold up the candle before his portrait and begin to weep. But he knew her. The doctor laid his hand softly on her arm, and left it there, sympathetically. Nor did he remove it when Millicent stole into the room, looking very woe–begone and important. The wife wept silently, and the child joined in.

“Yes, I know him,” said the doctor. “If he thinks he will be happier when he’s gone away, you must be happier too, Mrs. Sisson. That’s all. Don’t let him triumph over you by making you miserable. You enjoy yourself as well. You’re only a girl—–”

But a tear came from his eye, and he blew his nose vigorously on a large white silk handkerchief, and began to polish his pince nez. Then he turned, and they all bundled out of the room.

The doctor took his departure. Mrs. Sisson went almost immediately upstairs, and Millicent shortly crept after her. Then Aaron, who had stood motionless as if turned to a pillar of salt, went quietly down the passage and into the living room. His face was very pale, ghastly– looking. He caught a glimpse of himself in the mirror over the mantel, as he passed, and felt weak, as if he were really a criminal. But his heart did not relax, nevertheless. So he hurried into the night, down the garden, climbed the fence into the field, and went away across the field in the rain, towards the highroad.

He felt sick in every fibre. He almost hated the little handbag he carried, which held his flute and piccolo. It seemed a burden just then—a millstone round his neck. He hated the scene he had left— and he hated the hard, inviolable heart that stuck unchanging in his own breast.

Coming to the high–road, he saw a tall, luminous tram–car roving along through the rain. The trams ran across country from town to town. He dared not board, because people knew him. So he took a side road, and walked in a detour for two miles. Then he came out on the high–road again and waited for a tram–car. The rain blew on his face. He waited a long time for the last car.

A friend had given Josephine Ford a box at the opera for one evening; our story continues by night. The box was large and important, near the stage. Josephine and Julia were there, with Robert and Jim—also two more men. The women sat in the front of the box, conspicuously. They were both poor, they were rather excited. But they belonged to a set which looked on social triumphs as a downfall that one allows oneself. The two men, Lilly and Struthers, were artists, the former literary, the latter a painter. Lilly sat by Josephine in the front of the box: he was her little lion of the evening.

Few women can sit in the front of a big box, on a crowded and full– swing opera night, without thrilling and dilating. There is an intoxication in being thus thrust forward, conspicuous and enhanced, right in the eye of the vast crowd that lines the hollow shell of the auditorium. Thus even Josephine and Julia leaned their elbows and poised their heads regally, looking condescendingly down upon the watchful world. They were two poor women, having nothing to do with society. Half bohemians.